Baudelaire’s command is not an invitation to excess, it’s a refusal of numbness.
“One should always be drunk,” he writes, and the line jolts us because it sounds reckless, even irresponsible. But read it slowly, and the provocation softens into something deeper. Baudelaire is not praising intoxication; he is declaring war on gravity. On the crushing weight of time. On the dull sobriety with which life so often bears down on the human spirit.
To be drunk, in Baudelaire’s sense, is to be carried. Lifted out of the mechanical march of hours and obligations. When he asks “But with what?” the question opens rather than narrows: wine, poetry, virtue. Pleasure, beauty, goodness. Sensation, imagination, conscience. Choose your intoxication, he says but choose one.
Because the true enemy is not excess. It is emptiness.
We live under constant pressure to be reasonable. Measured. Productive. Sober in every sense of the word. We track time, optimize it, monetize it. We wake by alarms and sleep by exhaustion. Days blur into tasks, weeks into deadlines, years into something we meant to pay more attention to. Baudelaire saw this coming. He knew that time, when left unchallenged, becomes a tyrant.
And so he offers drunkenness as rebellion.
Wine is the most obvious form: the loosening of the self, the warmth that melts rigid edges, the reminder that the body is not merely a vehicle for labor. Wine dissolves seriousness and returns us, briefly, to joy. But wine fades. The bottle empties. Morning arrives.
Poetry, however, intoxicates without a hangover.
To be drunk on poetry is to see the world charged with meaning. A streetlight becomes a metaphor. A stranger’s face becomes a story. Language stops being a tool and becomes a pulse. Poetry bends time by deepening it five minutes of wonder outweigh five years of routine. When you are drunk on poetry, life is no longer flat. It resonates.
And then there is virtue, perhaps the most surprising choice of all.
To be drunk on virtue is to be possessed by purpose. By care. By a sense that one’s actions matter beyond the self. This intoxication doesn’t blur vision; it sharpens it. It demands sacrifice, courage, and discipline but it also grants a fierce, steady joy. The joy of alignment. The joy of standing for something in a world that constantly asks you to sit down and be quiet.
Baudelaire’s genius lies in refusing to rank these intoxications. He doesn’t moralize. He doesn’t prescribe. He understands that different souls need different fires. What matters is not what you drink, but that you drink deeply from something that wakes you up.
Because sobriety, in his warning, is not clarity it is sleepwalking.
“When you wake up,” he writes, “ask the wind, the wave, the star…what time it is.” Time will answer: It is time to be drunk. Not tomorrow. Not after you’ve earned it. Now. Before life hardens into habit and wonder becomes a memory.
This is not a call to escape reality. It is a call to inhabit it fully. To refuse the half-life of indifference. To choose intensity over apathy, presence over passivity.
So get drunk on whatever makes you feel most alive. On love that scares you. On work that matters. On art that undoes you. On kindness that costs something. Let it carry you when the days grow heavy.
Because the greatest tragedy is not losing control.
It is never having been lifted at all.
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